Click 3X Produce Unique Film Titles
January 2, 2009SNew York-based design and VFX studio Click 3X recently produced title sequences for two feature films from Academy Award-winning directors, Jonathan Demme’s Rachel Getting Married, and Davis Guggenheim’s It Might Get Loud. Both projects involved heavy stylistic experimentation and hands-on collaboration with the directors to develop sequences that embody and introduce the subject, complement the film openings, and add to the overall storylines. The projects demonstrate the range of scope and design depth of the Click 3X team, who continue to release visual solutions for commercials, films, television, music videos, and integrated media. Rachel Getting Married, released in late 2008, was shot documentary-style to convey the tension and uncomfortable nature of complex interpersonal relationships, heightened by the abnormal interactions that only a wedding weekend can provide. Both the film and Anne Hathaway’s role have received great critical acclaim. For the project, Click collaborated once again with director Jonathan Demme, expanding on the working relationship first established with Demme’s unconventional feature documentary on Jimmy Carter titled, Man From Plains. In developing the titles, the design team carefully infused Demme’s directorial vision to capture and subtly convey the palpable friction of a flawed family, as well unveiling the raw feelings and conflict that weddings can incite.

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| Creative Director Steve Tozzi adds, “Using the input from Jonathan and some really elaborate and unique styling, we tried to integrate emotive hints at the plot into every detail of the titling. Each aspect of the opening sequence, from the typography and screen placement, to the range to type sequences and titles and names all echo the mood of the film. Even the placement of text on the screen reiterates the disorganization and awkwardness of the relationships and emotions that stem from the weekend wedding.” |
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| Tozzi explains, “For this project it was really important to develop symbolic typography-something that would really embody each icons’ style, era, and of course, music. For Jimmy Page the look is classic, Gibsonian, while The Edge has an electric, techy feel, and Jack White is about retro simplicity-he really could pick up any guitar and play.” |

