Brand New School Bring Coke to LA Live


Brand New School recently created a series of profoundly energetic, decidedly athletic films for a new Coca-Cola installation. The films will be featured outdoors at L.A. Live the 5.6 million square foot Los Angeles complex that includes apartments, ballrooms, bars, concert theaters, restaurants, movie theaters and a 54-story hotel and condominium tower. In addition to their formidable production and post production talent, Brand New School’s efforts on the project included design of a 50-foot long Coca-Cola logo and the casting of more than 40 highly-skilled athletes, including tennis players, skateboarders, yoga practitioners, and more.

Brand New School Bring Coke to LA Live coke_stadium_night

“We were asked to create approximately two minutes of content for Coke,” says Jens Gehlhaar, Creative Director at Brand New School. “Specifically, the content is intended for an installation outside the Nokia Theater at L.A. Live. The theater is adjacent to the Staples Center and will be the site of the Grammy Awards. Outside the theater, there are large columns holding 14 huge, vertical screens, as well as one wide format screen over the entrance and another LED billboard on a neighboring building. It is a wacky assortment of 17 different-sized screens, but we have experience with these sorts of installations. The specific instructions from Coke gave us a lot of leeway. They wanted things very specific to the L.A. lifestyle, multicultural in look and feel, and not patronizing in any way. They wanted the focus to be on the active people involved.” The short films reveal various athletes interacting with a huge white Coca-Cola logo backed by a special purple-red-orange gradient that breaks with the traditional Coca-Cola red in favor of a more L.A.-inspired hue.

Supported with engaging music composed by Machinehead, golfers, soccer and tennis players, wall climbers, and many more athletes all interact very physically with the immense logo. In an age when so much entertainment is achieved through computer-generated models and background, the logo is all the more astounding because it is real. “After careful consideration, we realized that it would be more authentic to have our live actors interact with a real sculpture,” says Gehlhaar. “It is 15 feet high and more than 50 feet wide and everybody was extremely impressed with it, so much so that Coke insisted on keeping it. We did a timelapse film of its construction, just to commemorate the act.” The engineering of the structure would eventually be put to the ultimate test, as the cast of some 40 skateboarders, climbers, and others climbed it, jumped on it, ran into it, etc.

Brand New School Bring Coke to LA Live coke_group

“The logo never faltered,” says Gehlhaar proudly. “It was insanely sturdy in the end, especially considering what we put it through. We used no wires on our athletes, so there was no interaction or impact that was faked. It was all real action. It’s filming this kind of elegant, completely realistic live action that has given Brand New School such a great reputation for these kinds of jobs. Also it is rare for an installation job of this complexity to be produced in-camera; traditionally the solution would be more animation-based. There are very few companies that can pull both off.” The job was not entirely without technological aspects however. The entire two-day shoot was shot against a blue, rather than red, background, and the final edits held more than 70 shots requiring significant keying and compositing work by the Brand New School team, all of which were then composited into a signature gradient environment. Behind The Scenes - The Making of Coca Cola LA Live

“This was a very challenging and unusual job, but those are the ones we are most excited about,” says Gehlhaar. “Brand New School is getting very good at alternative media installations, and we are eagerly anticipating more opportunities like this. We want to be a market leader in this area.”
ABOUT BRAND NEW SCHOOL With offices in New York and Los Angeles, Brand New School is a bicoastal directing collective working in all fields of commercial art. Ever evolving, the studio continues to cultivate a sense of wonder and exploration. For its artists and clients alike, BNS represents an opportunity to play at work, to conduct experiments in image-making, and to feed the inspiration that drives the industry. CREDITS: Directors: Brand New School:Jens Gehlhaar & Ludovic Schorno Shot on stage in Los Angeles Production & post production: Brand New School, Los Angeles Producer: David Wolfson Director of Photography: Ottar Gudnason Assistant Director: Patrick Finnegan Key Grip: Steve Strausser Fabricator: Vision Scenery Corporation Stylist: Christine Wada Designer: Wakako Ichinose Still Photographer (banners): Ian Brook Editor: Graeme Pereira Flame Artist: Philip Ineno Post producer: Craig Houchin Color Mark Gethin, MPC, Santa Monica Client The Coca-Cola Company, Atlanta Music Installation: Machine Head, Los Angeles Montage: Beyond Music Library RELATED LINKS: www.lalive.com www.brandnewschool.comContinue reading

Coca Cola Happiness Factory Revisited


The original Coca Cola ‘Happiness Factory’ commercial is now several years old, but the tale of this animated world is still unfolding and continues to delight. The ‘Happiness Factory’ series is the genius collaboration from ad agency Wieden+Kennedy and creative studio Psyop that takes us to a magical world beyond the Coca-Cola vending machine.

Coca Cola Happiness Factory Revisited hf_capper

Coca Cola has recently launched ‘Happiness Factory 3’ which illustrates the uplift factor of Coca Cola and how it revitalizes both the drinker; and the lovable inhabitants of the Happiness Factory. This latest spot is part of an integrated campaign that includes radio promotions, online social networking; and an innovative partnership with Xbox. In addition the commercial features a track created by a supergroup comprised of Cee-lo, Patrick Stump from Fall Out Boy, Brendon Urie from Panic at the Disco, Travis McCoy from Gym Class Heroes and r’n'b sensation Janelle Monae. ‘Happiness Factory 3’ follows on from the original ‘Happiness Factory‘ spot, ‘Happiness Factory II – The Movie’ and a behind the scenes ‘Mokumentary’. The ‘Happiness Factory’ stories from the Coca Cola, Wieden+Kennedy and Psyop collective, bring much gladness and a message of positivity to our presently troubled world. In this special CGNews feature article we revisit each of the animated shorts in the series. HAPPINESS FACTORY - ORIGINAL
The original spot begins with live action footage of a man putting money into a Coke vending machine slot. The camera follows the coin as it rolls down a chute, down the side of a mountain and disappears into a waterfall. We are now in the magical animated world of the ‘Happiness Factory’.

Large flying creatures with rotating blades carry an empty bottle to be filled by a tube suspended from the sky. Small fluffy creatures with large lips kiss the full bottle with great affection before the iconic red screw cap is catapulted and secured tightly into place.

Next the bottle travels through a wintery landscape where it is cooled by snowmen and icicles and then dropped through a hole in the ice. Finally the bottle makes its way through a hero’s parade, serenaded by marching bands and fireworks before it is rolled out into the vending machine chute.

” Our visual premise was one of blending machinery and natural elements, within which we added all these exotic creatures performing their particular functions. From some initial ideas about a ‘factory,’ we moved on to this insanely epic fantasy landscape. We suspended all rules of objective reality and focused on getting this bottle delivered in the most ridiculously large and crazy way possible. We discovered that the spot was more about all the characters than the factory process, and that was the key to it’s success.” Kylie Matulick, Director, Psyop.

HAPPINESS FACTORY MOKUMENTARY

The award winning Coca-Cola commercial ‘Happiness Factory’ now opens its doors and takes you ‘behind the magical scenes’ with this clever and amusing e-documentary. Get to know all your favourite characters including the Luv Puppies, Chinoinks and The Majorette. Some of the voices are reported to be portrayed by actual Coca-Cola employees.

“We party like it’s 2999 every time someone wants a Coke. Which is all the time. But I never get tired of watching the Poppers being shot like confetti over the parade . . . you know, the parade which carries the bottle to the customer. We never get to see them, of course. The customer. But the fact that the party never stops must mean they like The Coke Side of Life.” The Majorette.

HAPPINESS FACTORY II – THE MOVIE

‘Happiness Factory - The Movie’ tells the tale of what happens when the Happiness Factory runs out of Coke. On 14 August 2007, this special animation feature was screened to a crowd of more than 100 glamorous avatars and media from 16 countries. The red-carpet premiere for this event took place in the Coke Cinema on Happiness Boulevard in the virtual world of Second Life.Click here to view stars, including international singing sensation Avril Lavigne, arriving at the event.

HAPPINESS FACTORY 3

The most recent spot in the series begins with a weary student approaching a Coke vending machine, yawning as he places his coin in the money slot. The yawn is contagious and is passed on to the Happiness Factory workers beyond.Each of the magical characters catch the drowsiness in turn and the normally busy and upbeat world of the Happiness Factory slows down to a sleepy unproductive pace. Before they reach a full halt The Majorette pulls herself together, claps her hands and brings forth a thousand mechanical arms from the surrounding hillsides bearing chilled bottles of Coca-Cola. The inhabitants of the Happiness Factory drink the coke with relish and, re-invigorated and happy, head back to work.

Coca Cola Happiness Factory Revisited hf_penguins

CREDITS FOR HAPPINESS FACTORY (ORIGINAL) Advertising Agency: Wieden + Kennedy, Amsterdam, The Netherlands Creative Directors: Al Moseley & John Norman Copywriter: Al Moseley (Rick Condors) Art Director: John Norman (Hunter Hindman) Account Team: Sylvain Lierre & Ryan Lietaer Producer: Sandy Reay Assistant Producer: Kimia Farshidzad Executive Creative Directors: Al Moseley & John Norman Agency Executive Producer: Tom Dunlap Agency Editor: Ken Rosenberg

Production Company: Psyop, New York Directors: Todd Mueller & Kylie Matulick Executive Producers: Justin Booth-Clibborn, Boo Wong Producer: Mariya Shikher Art Director/TD: David Chontos Animation Director: Nicholas Weigel Storyboard Artist/Designer: Ben Chan Lighting/Rendering Lead: Saira Mathew FX Lead: Pete Hamilton Compositing Lead: Jason Conradt

Live Action Prod company: Seven Senses, Madrid Director: Andreas Hoffman Executive Producer: Alvaro Weber Producer: Alvaro Weber Director of Photography: David Carretero

Music: Human Sound Design: Amber Sound Designer: Bill Chesley Executive Producer: Kate Gibson Final Mix: Sound Lounge Mixer: Philip Loeb

SOURCES Dexigner.com article - The Coke Side of Life: PSYOP’s New Mega Spot For Coke by Levent Ozler 16 July 2006 (view here)

Veerle’s Blog - veerle.duoh.com blog by Veerle Pieters - 24 August 2007 (view here)

Motionographer Interview Article (view here)

Behind The Buzz article by Kori Ellis 16 March 2009 (view here)

The Wall Street Journal - Coca-Cola to Uncap ‘Open Happiness’ Campaign 14 January 2009 (view here)

Coca Cola Press Centre (view here) *details of the unique integrated ad campaign for Happiness Factory 3 to be found here

RELATED LINKS www.coca-cola.com www.psyop.tv www.wk.com

Continue reading

PSYOP Create Heist For Coca Cola


The Coca Cola Heist commercial was developed as part of the Open Happiness campaign at Wieden+Kennedy, and was directed by PSYOP. The spot was aired during the 2009 Superbowl.

PSYOP Create Heist For Coca Cola coca_heist_bees

The ad shows a young man sleeping peacefully on a picnic rug laid out in a beautiful countryside setting. Alongside him stands a picnic hamper and an enticing looking chilled bottle of Coca Cola. As the gentleman snoozes a lone ladybird signals that the coast is clear to a small swarm of bees to fly down and push the bottle of Coke into a waiting cluster of grass hoppers. Through various means carried out by an assortment of insects, the bottle is transported away and is replaced by a rainbow of butterflies simulating the iconic shape of the classic bottle. The butterflies disperse as the man awakes and reaches out for the drink.
Filming and animation was directed by Psyop and the fluid simulation was created by Scanline. Music and sound were designed at Stimmung, and mixed at Lime Studios. Music from Peter and the Wolf was conducted by Robert Miller and performed by the Los Angeles Philharmonic.
About Widen + Kennedy Wieden+Kennedy is an independent, creatively led advertising agency that creates strong and provocative relationships between good companies and their consumers. Wieden+Kennedy has helped create some of the strongest brands in the world and, in the process made clients like Nike, ESPN and Miller High Life a part of popular culture.

PSYOP Create Heist For Coca Cola coca_heist_beetle

About PSYOP PSYOP borrowed its name from the US Governments Psychological operations division and the company has cheekily adopted the agency’s slogan as well “Persuade Change and Influence”. At a time when consumers are bombarded with more messages from more media than ever before., PSYOP seeks to win over the hearts and minds of the public through creative content that people willingly seek out and enjoy, especially on the internet , where compelling ads spread via word of mouth. About Scanline VFX Scanline VFX specializes in creating complex effects for high end feature film and commercials. With nearly 20 years experience in the European VFX World, Scanline has now opened its Los Angeles facility, which is currently working on Roland Emmerich’s “2012”. With a passion for the cutting edge and its Academy award winning effects software “Flowline”, ScanlineVFX is quickly becoming the go-to source for hardcore FX shots. Combining the best of artistry and technology, Scanline seeks out people with a solid blend of skills and the personality to match. Past films include 300, The Chronicles of Narnia: Prince Caspian, Iron Man, The Invasion and Poseidon.

PSYOP Create Heist For Coca Cola coca_heist_pretend

Credits Title: Heist Client: Coca-Cola Agency: Wieden + Kennedy, Portland Creative Directors: Hal Curtis, Sheena Brady Art Directors: James Moslander, Lee Jennings Copywriter: Marc D’Avignon Senior Agency Producer: Matt Hunnicutt Associate Agency Producer: Juliana Montgomery Director: Psyop Psyop Creative Directors: Todd Mueller, Kylie Matulick Production Company: Psyop, Los Angeles Executive Producer: Neysa Horsburgh Live Action Producer: Michael Schlenker VFX Producer: Tina Chiang Post-Production Coordinator: Thomas Knight Editor: Brett Nicoletti Storyboard Artist: Josh Wiesenfeld VFX Supervisor/CG Lead: Andrew Romatz VFX Supervisor/Lead Flame Artist: Thibault Debaveye 2D Desktop Supervisor: Lane Jolly Animation Lead: John Velazquez Lighting Lead/Look Development TD: Mike Dalzell Fluid Simulation: Scanline VFX Pre-Visualization: Mike Makara , Todd Constantine, Sarah Bocket, John Cherniack, Jan Bitzer Senior Animator: Yvain Gnabro Animators: Alejandro Castro, Joon Lee, Frantz Vidal, Maxime Devanlay, Zee Myers FX: Jan Bitzer, Kiel Gnebba, Flame Artist: Alex Kolasinski Compositors: Jared Sandrew, Michael Dobbs, Miguel Bautista Senior Lighter: Kyle Cassidy Lighter/Look Development: Katie Yoon, Wendy Klein Lighters: Ian Ruhfass, Barry Kriegshauser Modelers: Clay Osmus, Andy Kim Modeling/Generalist: Bryan Repka Rigger/Generalist: Petrik Watson Riggers: Sean Comer, James Parks, David Bosker Roto/Paint Artists: Krystal Chinn, Austin Brown, Scott Baxter Mix: Lime Studios Music/Sound Design: Stimmung Arranger: Robert Miller Song: Peter and the Wolf Music Executive Producer: Kelly Fuller Sound Design: Gus Koven Mixer: Loren Silbur Assistant Mixer: Lindsey Alvarez Mix producer: Jessica Locke Related Links www.wk.com www.psyop.tv www.scanlinevfx.com
Continue reading